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This series of articles is about how terrestrial broadcast digital TV is being implemented around the world.

Part 1 offered an overall view. Part 2 covered an interview with a colleague TV engineer that is currently testing the new DTV system in Argentina (ISDB-T), with whom I collaborated over the past few years, regarding how the standard was selected. This Part 3 covers how the system is being implemented, and Part 4 will cover the technical aspects of the system, a better choice for Argentina and several other countries than the US system, although the selection was not technically guided.

Mr. Victor Acuña, please indicate your role on the implementation of digital TV in Argentina.

I am an electronics engineer. I am working in the Committee of Electronics & Telecommunications Technologies in the Argentine Centre of Engineers (CAI) as specialist in Digital Terrestrial Television. I am also a professor in the Institute of Superior Education in Broadcasting (ISER) and in the Universidad Abierta Interamericana (UAI).

The challenge to go to digital TV with a very new system gives me the chance to work with the state of the art technology.

Testing the Transport Stream with a PC, while viewing the HD signal with an LCD HDTV; below the LCD is the STB (black box) and over the STB is the little 1-seg screen for mobile/portable. The signal on the oscilloscope is the HD output from the STB.

Please describe the actual implementation of ISDB-T in Argentina

Here in Buenos Aires “Canal 7”, the public state channel in digital channel 23 (527MHz), is the first that is transmitting since late April with a 10KW NEC transmitter and a 150-meter tower; it covers the whole city up to about 30 Kilometers.

I am testing the transmission Transport Stream (TS) and it has now (now, because the test signals change all the time) 4 signals on air having the following video payload: one HD using 8.8Mbps for video, two SD using 3Mbps each for video, and the 1-seg using 340Kbps. The total channel data rate is 18.3Mbps as whole TS.

Edificio Ministerio de Salud. Building in downtown, where the transmitters and antennas were installed (the same place than the analog). The antenna for analog is the top post in the tower, the digital is in the bottom (the photo is previous to installing the digital panels).Only one private station “Canal 9”, in digital channel 43 (647MHz), is doing similar transmission tests since January, with a 500W Harris transmitter and a 50-meter tower, the coverage is very small with a radial of 3 km. It has 3 signals in the air, one HD sub-channel with 12Mbps for video, one SD sub-channel with 3.6Mbps for video, and the 1-seg portable/mobile with 320Kbps for video, with a total data rate of 18.2Mbps.

The total data rate is obtained from the complete Transport Stream emitted; it includes the audio data, ancillary data, null packets, PAT identification, etc. For example, for Canal 9 the TS is as follows:

 Hex PIDStream TypeKbpsPercentService Name
00x0000PAT15.830.09N/A
160x0010NIT1.580.01N/A
170x0011SDT0.790N/A
200x0014TOT0.320N/A
360x0024?1.580.01N/A
40960x1000PMT15.830.09Canal 9 - HD
40970x1001H.264 Video12556.9768.68Canal 9 - HD
40980x1002PCR41.670.23N/A
40990x1003AAC Audio218.991.2Canal 9 - HD
41000x1004AAC Audio211.511.16Canal 9 - HD
41010x1005MPEG Audio114.90.63Canal 9 - HD
41120x1010PMT15.830.09Canal 9 - SD
41130x1011H.264 Video3686.4920.16Canal 9 - SD
41150x1013AAC Audio2161.18Canal 9 - SD
41160x1014AAC Audio215.971.18Canal 9 - SD
41170x1015MPEG Audio114.90.63Canal 9 - SD
41230x101BPrivate PES37.60.21Canal 9 - SD
41240x101CPrivate PES2.150.01Canal 9 - SD
41290x1021H.264 Video316.641.73Canal 9 - Mobile
41310x1023AAC Audio70.710.39Canal 9 - Mobile
81390x1FCBPMT15.810.09Canal 9 - Mobile
81910x1FFFNull Packets411.862.25N/A
  Total:18283.93100.02 

Digital channel 7 racks with a pair of NEC MX-1500 multiplexers in the middle, and the MPEG-4 encoders in the right side, a pair of NEC VC-7010 1-seg at the top, monitors and patcher test in the middle, and a pair of NEC VC-7301 SD/HDIn both mentioned channels, the SD and the 1-seg transmission replicate the content of the analog channel, but for HD the content is a documental video clip in an endless loop.

"Canal 7” was committed to transmit the FIFA World Cup in HD, but after this happens I don’t know what will be broadcasted in HD.

Regarding the digital panels that have been selling for several years already in Argentina (mainly LCD), are there any compatibility issues of their digital tuning capabilities with the newly selected digital broadcast standard? Do those panels have also the required tuners to support the selected format?, or would they require external digital tuners for the newly selected format?

All the analog TV sets sold in Argentina can work in both standards PAL-N and NTSC (they are “binorm”, as we call). Last years’ analog TV sets are “trinorm”, PAL-N, PAL-M, and NTSC.

The analog standard we have (PAL-N) is 50 Hz with 625 interlaced lines of vertical resolution (567 active). The SDTV digital signal (the basic digital format) is in 576i/50, which is taken from the station’s actual analog signal, but the TVs (CRT and LCD) can work in 60 Hz as well.

If a digital broadcaster transmits in SD in 50 Hz the STB outputs a PAL-N analog signal, likewise, if a broadcaster transmits digital signals in 60 Hz the receiver system can work with it. In this case, the STB outputs an NTSC signal for the analog TVs (or PAL-M 480i60 similar to NTSC; PAL-N is 567i50), selectable from the STB menu.

The digital screens sold over recent years (mainly LCD, some Plasma) don't have an ISDB-T digital TV tuner, which means those TVs will need a separate STB to tune to the digital terrestrial broadcasts. Some manufacturers are announcing near future models with ISDB-T tuners. One important thing is that some old LCDs don't support HDTV scanned in 50 Hz and they unfortunately will not work with a 1080i/50 HD broadcast signal as is being transmitted now.

Just a few TVs with digital tuners are being announced recently, many are LCDs with LED technology.

Close-view of front panel of one of the digital transmitters.The business of high-definition television will mobilize an estimated 300 million dollars in Argentina. This corresponds to the total investment required to set the standard operational, including TV operators, technology providers and manufacturers of television sets.

Would the basic converter box also be capable to output HD to an HD monitor? Or would only output downconverted analog quality from a tuned HD signal, and only be useful for legacy analog TVs (like it happened in the US)?

The politicians, with a social view, want more SD channels, the TV owners and content producers want HD, this is a dilemma for the public TV. But when the private stations come to air, HD sure will be the starlet.

From what I understand, all the STBs that will be offered will have both SD / HD outputs. The STBs that I am testing are coming from Brazil and have all the outputs.

According to the specifications published by government these STBs for free distribution will have both outputs, 1) analog video in a RCA jack with PAL-N or NTSC for SD (or a downconverted HD version) to connect to legacy analog TV sets, and 2) a component-analog (Y, Pb, Pr) or component-digital (Y, Cb, Cr) video switchable output with 3 RCA connectors, as well as an HDMI connector, both to output SD or HD to LCD HDTVs.

The STBs also have an USB input to connect a flash drive to see photos and videos directly to the TV, and an Ethernet connector to access to a LAN. In the future this would be the return channel for interactivity, for which they have a Ginga NCL middleware.

Additionally, there are low-cost versions of STBs primarily for mobile use (with 12Volts supply) that can be used in cars or portable displays, and there are Dongles for Portable Computers with models that cover Full-seg and 1-seg.

In summary, there are two types of digital STB receivers: the full-seg STB that can receive all the signals, and the one-seg to receive only the mobile-portable signal.

---------------------

Thank you Victor for collaborating with this series of articles about DTV around the world. The next article (part 4) will cover the technical aspects of ISDB-T, stay tuned.

Posted by Rodolfo La Maestra, September 16, 2010 7:53 AM

About Rodolfo La Maestra

Rodolfo La Maestra is the Senior Technical Director of UHDTV Magazine and HDTV Magazine and participated in the HDTV vision since the late 1980's. In the late 1990's, he began tracking and reviewing HDTV consumer equipment, and authored the annual HDTV Technology Review report, tutorials, and educative articles for HDTV Magazine, DVDetc and HDTVetc  magazines, Veritas et Visus Newsletter, Display Search, and served as technical consultant/editor for the "Reference Guide" and the "HDTV Glossary of Terms" for HDTVetc and HDTV Magazines.  In 2004, he began recording a weekly HDTV technology program for MD Cable television, which by 2006 reached the rating of second most viewed.

Rodolfo's background encompasses Electronic Engineering, Computer Science, and Audio and Video Electronics, with over 4,700 hours of professional training, a BS in Computer and Information Systems, and thirty+ professional and post-graduate certifications, some from MIT, American, and George Washington Universities.  Rodolfo was also Computer Science professor in five institutions between 1966-1973 in Argentina, regarding IBM, Burroughs, and Honeywell mainframe computers.  After 38 years of computer systems career, Rodolfo retired in 2003 as Chief of Systems Development from the Inter-American Development Bank directing sixty+ software-development computer professionals, supporting member countries in north/central/south America.

In parallel, from 1998 he helped the public with his other career of audio/video electronics, which started with hi-end audio in the early 60’s and merged with Home Theater video, multichannel audio
, HD, 3D and UHDTV. When HDTV started airing in November 1998, and later followed by 3DTV and 4K UHDTV, he realized that the technology as implemented would overwhelm consumers due to its complexity, and it certainly does even today, and launched his mission of educating and helping consumers understand the complexity, the challenge, and the beauty of the technology pursuing better sound and image, so the public learn to appreciate it not just as another television.