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HDTV Almanac - CES 2010: Four-Color LCD HDTVs
by Alfred Poor on January 11, 2010 Category: General Interest

I know that at least some of you frequent HDTV Almanac readers are old enough to remember when the NBC peacock revealed a major change in television technology. Overnight, we went from shades of gray on the TV screen to full color (or what was close enough to full color for us at the time). I still remember the first kid in our school to get color TV at home.

I’m sure I’m preaching to the choir here, but the way the wizards at the Sarnoff Labs managed to get a color display was to combine red, green, and blue sub-pixels. By varying the amount of light emitted from each of these three primary colors, you can make a full color image. But this approach has limitations. The phosphors used in a CRT or plasma screen or the color filters used in an LCD screen can limit the range of the colors that can be produced.

At CES, Sharp demonstrated new technology that makes a significant improvement in the color performance of LCD HDTVs. Instead of using just the standard red, green, and blue (RGB) sub-pixels, they added a fourth color: yellow. This helps improve color performance for yellow shades, especially the difficult gold metallic hues. Here’s a photo of two sets from the Sharp press conference:

The Sharp RGBY LCD panel on the right has better yellow performance than the standard RGB panel on the left.

Yes, I admit that it’s not a great photo. And I generally avoid showing photos that compare images because you can introduce additional limitations with the camera and the screen you use to view the image. But I think that most of you will be able to see a strong improvement in the yellows and oranges for the screen on the right.

Now, is this an important change? I’m not sure. The human vision system is very clever at adjusting for shifts in what we see. We know what color a lemon should be, so when you have the color off a little bit on your TV set, your mind still sees a lemon as a lemon. The average consumer does not seem to be too good at telling the difference between a standard definition DVD image and a high definition image, especially when there isn’t a second screen available for comparison. I expect that most people would not be able to tell you whether a given screen is RGB or RGBY, even though they could see the difference between the two when placed side by side.

The fourth sub-pixel is likely to increase production costs, as well as reduce the amount of light that the panel will produce. Overall, I don’t think that the average consumer will want to pay a premium to get RGBY technology, even though it does look great.

Posted by Alfred Poor, January 11, 2010 5:00 AM

Reader Commentary

Reply
jordanm • Jan 12, 7:00am
I saw this at CES. The photograph does not do this technology justice, although it tries. It looked very good....
Reply
papasmurf • Jan 12, 7:32am
I would love to know how this system works. Sharp has always been a leader in LCD quality pictures. Three years ago I purchased a Sharp LC-46D92U. It has what they called a '5 wavelength backlight system' to produce a greatly enhanced color pallett. As readers know a weakness of LCD TVs has been the CCFLs used as a light source. They do not produce full bandwidth light as does a 'black body radiator' such as a quartz lamp. In the 46D92U Sharp used 5 different colored CCFLs to produce truly 'white' light. The result is a picture second to none, even today. Now LED backlights are also difficient in some portion of their visible light output spectrum. What does the new color system using yellow do to address that?...
Reply
alfredpoor • Jan 12, 10:05am
http://hdtvprofessor.com/HDTVAlmanac/Sharp_RGBY_pixels.jpg

Here's a picture of the pixel structure. The left is the standard RGB structure. The right shows how a yellow sub-pixel is added between the blue and red ones.

This extra section of color filter does expand the color gamut, but it also depends of the LED backlights to provide the expanded light spectrum to make it possible.

Alfred...
Reply
Richard • Jan 12, 12:24pm
DLP has been doing this for quite some time......
Reply
alfredpoor • Jan 12, 12:39pm
Yes, both DLP and LCoS microdisplays have used multicolor wheels to increase the color gamut. They also have wheels with "white" sectors that increase brightness. The difference is that the pixel size on the microdisplay doesn't change; the speed with which the light color changes may increase, so you get all the colors in the same frame rate as the traditional RGB.

Sharp's approach squeezes more sub-pixels into each pixel, making each one smaller. This adds processing steps to the manufacturing, and probably decreases the aperture ratio, so the amount of light that gets through is decrease.

The extra colors don't really add much cost to the microdisplay sets, but I expect they add significant cost to the LCD panel. In a business that doesn't have room for extra cost, I'm not sure that this will be a winning strategy.

Alfred...

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About Alfred Poor

Alfred Poor is a well-known display industry expert, who writes the daily HDTV Almanac. He wrote for PC Magazine for more than 20 years, and now is focusing on the home entertainment and home networking markets.