HDTV is no longer a new subject, but still the new measure for how imaging
of
the future will be captured and presented. It has taken 30 years of
development and billions of dollars, yet it remains a rarity. Why?
New
standards which tend to supplant or replace old standards find
invariably an
up-hill battle. But, as history acknowledges, new
standards do emerge and are
accepted finally as the norm.
That is certain to the be case with HDTV.
HDTV is about production.
It is about transmission, and, it is about
reception and display.
Unlike its more primitive ancestor, that which we call
standard television,
it can serve a far wider audience in many more diverse
places.
In fact, HDTV will not start its business as did the old system.
It
has far more utility on a big screen, large enough to accommodate a
sizeable
audience with todays technology.
In the near future it will serve, and
affordably, huge audiences with big
electronic projectors that are clear, and
more importantly, bright.
Today without any new developments audiences of 300 to 400 can easily
be
accommodated with these sharp clear images and glorious digital
audio sound.
Signals can be beamed in from anywhere in the world
via proven, reliable
transmission links.
HDTV contains as much image
information as one has come to accept from film
motion pictures.
Some experts think that the stability of HDTV images offers
superior
quality to that found in the best of theaters using the finest of
film prints.
The controversy is so high because the call is so close.
That in
mind, the added value of beaming in live presentations,
where
once-in-a-lifetime events are restricted to the few in attendance,
is reason
enough that HDTV should be discovered. The electronic "theater"
is clearly
dawning.
Flexibility and discovery are the two key words in
electronic theater. Film
is fully discovered, all its tricks unveiled.
But HDTV is part of the roaring
creative force of digitally manipulated
images-graphics and special effects
compositing-which will provide
audiences visual experiences never before
imagined on the silver screen.
Here pundits wax eloquently upon this vision
saying that, indeed,
a new art pallet has been given form and the creative
geniuses of our
times will gravitate to it unerringly in their eternal quest
for reaching
the hearts and minds of their audience.
Those electronic
theaters can be in hundreds, even thousands of
locations while the artists
work their magic from practical and convenient
settings.
Television taught us that there is nothing more riveting than a
live dramatic
happening beamed simultaneously to millions of individuals
hunched before
their little TV sets. But what has rarely been experienced
is the group
dynamics associated with a live remote where a moving and
dramatic happening
is unfolding. A great performance, where an artist
"peaks", can be felt
across the land, or even oceans, by thousands
who personally experience that
peak and mutually share in the wonder
which goes with it.
"Live" is the key
element here for we have all seen the recorded
"peaks", even in groups, and
they are fine. We give awards and
honors to that. But "live" means now! What
is happening on the
screen is now and is amplified in intensity by the group
dynamic in
each of the theaters. WOW!
From the theater, of course, is quickly
recognized the path for HDTV to go to
the home. Those presentation
fit for the theater become the programming
available by satellite,
cable and over-the-air to the home HDTV theater. This
is years in
coming, but we shall in the mean time enjoy that which is vividly
real, live and in the full glory of perfectly hued color and full
dimensional
audio. Electronic vaudeville, electronic Broadway,
electronic story telling
of all fashion will soon be with us exploding
on the scene as TicketVisionx
becomes the next exhibition
genre of our times.
Dale Cripps
HDTV Newsletter