Summary

Attorney Jim Burger responds to Dale Cripps's editorial on copy protection in the digital age, arguing that DTV and digital recorders represent an opportunity rather than a threat to the content industry. Burger outlines a four-step plan — honest markets, education, enforcement, and technical speed bumps — to address copyright concerns without undermining consumer trust.

Source document circa 2002 preserved as-is

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October 17, 2002

Copy Protection

"The Perilous Irony of the Digital Age"

A few days ago I wrote an editorial in Page 2 on how we might take a new look at copy protection. Against the wailing of cynics who think I give humanity, at least as currently civilized, more credit then any copyright holder at risk should ever do, I postulated that in the digital world that we are entering we had best not become the termites chewing away at our own digital foundations anymore than we would promote incest. My intent was to spark a debate about our behavior, or what we need to do to correct it in order that our global character allows for the flowering of the fully digital age. The way that we behave will dictate the entanglements we must endure in hardware and software, and that will set all kinds of boundries and limitations. We cannot afford to have those limitation imposed upon us by bad behavior. "Well, easy for you to say,"you say. "I can't even get my dog to heel and you want some kind of new standard of human behavior--a new taboo to keep us from self destructing. Ha!"

Jim Burger, an attorney in Washington DC has a long list of achievements and who is often heard on this issue of DTV, represents numerous clients in the communications field. He has taken my bait and provided us with his view that considers a bit of the human factor in copyright protection. Now let's hear from you. (If you need a copy of the original editorial email me.)

Dale Cripps

Introduction

Dale and I have exchanged many notes debating DTV issues. Dale and I have had honest disagreements about DTV. Dale's recent editorial however, contains much I can agree with. I also wholeheartedly agree with Jerry Rutledge's response. I hope I have something to contribute to this discussion since we all appear to be on the same side of this issue. First, my usual caveat - these are my own opinions and not necessarily those of my firm or my clients. Second, I believe that intellectual property is our cultural cornerstone and an extremely important economic driver. Indeed, the $800 billion U.S. information technology industry's primary product is intellectual property.

Having said that, I had several recommendations for the content industry. The first, from Doug Adams Hitchhiker's Guide to the Galaxy is "Don't' Panic." Since at least the 1908 introduction of the player piano, the content industry has wrung its hands about every new technology, just as they are doing today with DTV. This was true with introduction of the record player, the radio, the television, the cassette recorder, and VHS recorders, and so on. Each technology turned into a gold mine for the content industry.

The Motion Picture Association of America (MPAA) gets upset when people point to its President's (Jack Valenti) statement to Congress about the VHS in 1983. He said, the VHS "is to the American film producer and the American public as the Boston Strangler is to the woman alone." Pre-recorded VHS movies went on to be one of Hollywood's biggest money earners. Indeed, with the smashing success of DVD, home video is the most profitable part of their business. My good friends in the movie industry point out that Jack was only talking about the record function, not the playback function. Apart from the fact that I can't find such a reference, it was the combination of both that made the VHS so popular and in most of our homes, creating the market for home video.

So, DTV and the digital recorders coming on the market are not a threat but a challenge and an opportunity. As will be the Internet. Movie sharing over the Internet is not a major economic threat today, the time to download a high-quality digital movie is just simply too long. Also, the reliability of the connection is a problem with big files. (I've been trying all week to download a 53 megabyte Canadian government document on my fast corporate network without success. Image trying to download a 2-gigabyte movie?) One hopes, of course, that over time the bandwidth problem will be solved. The question is whether the movie industry will be ready with an honest digital download market when that happens.

The Four Step Plan

I believe there are four steps to dealing with the problem as stated by the content industry. Here they are in order of importance and execution:



* Create Honest Markets

* Education

* Enforcement

* Technical Speed Bumps



Dale's overlay of what I would call ethos -concerns about impact of any cop protection scheme on the consumer and the consumer's ethical standards - are deeply embedded in each of these steps. All are dependent upon honest consumers. Who would not seek to take content without compensating copyright holders as long as they had fair, attractive alternatives and understood what is at stake.

Honest Markets

Today, the download of digital music is widespread. It is difficult, and I would argue fruitless, to remonstrate consumers for trading music on peer-to-peer systems when they have no reasonable alternative. While creating a legitimate system that will appeal to the honest consumer is not easy work, it must be done. The music people are smart people, and the consumer electronics and computer industry would gladly help them create effective, reasonable online music markets. It just hasn't happened yet. One hopes the video industry is further ahead of the curve. Let's hope they will have the honest market ready long before bandwidth becomes a threat. Wouldn't it be nice if a box on top of your set (forget how the bits get there) enabled you to watch the movie you want to watch in "glorious" HD at 8:13 p.m. Saturday night when you and spouse have finished dinner and are ready to watch it? (Rather than the movie the Network wants you to watch at the time they want you to watch it.) (Don't worry Dale, it won't make your guide obsolete!)

The first step in protecting music and movies and rewarding the creators of the intellectual property, is the creation of honest markets. If video distributors could offer those services at reasonable prices, I think like VHS and DVD, they would make lots of money and satisfy honest consumer desires. This sets the stage for consumer education.

Education

I am gravely concerned we are raising a generation of kids with no respect for intellectual property, if they even know what it means. I blame the music industry for this. Earlier this year I was invited to speak about Napster to a group of high school leaders from around the country. I closed the door, said I wasn't from the copyright police. I asked how many routinely downloaded and burned CDs. Every hand flew up. I said, don't you think its wrong to take someone's intellectual property without paying for it? The answers I got rocked me, but unfortunately made sense.

They responded with, do you know what you are saying? I might hear a song on the radio station I like. By the way, they said, we know the record industry bribes the radio stations to shove the latest singing Barbie or boy band down our throats. If get it as you say I should, first I have to get my mom or dad to drive me to the mall. Then, assuming CD is there, I have to pay from $16 to $21 for the CD. I get it home and I listen to it. Many times, there's the one good song I wanted and 11-12 pieces of garbage. By the way, we know the record companies screw artists, so we're not taking money from them. Bands only make money touring. I think we've been overcharged long enough. No, I do not feel guilty, they said.

I went on to explain the history of copyright and how they actually owned copyrights. I told them how important copyright is to our culture and economy. Frankly, I think I couldn't convince them. I could not defend current music industry practices, nor give them a reasonable alternative.

Once the content industry provides reasonable alternatives, I am a firm believer in launching a major copyright education campaign. I believe that the computer industry would participate in that effort. (There are, however, a few signs that the music industry is working to make PressPlay and MusicNet into real alternatives. Today they are not.)

Enforcement

The owners should defend copyrights. I have, however, a difficult time cracking down on ordinary consumers (as opposed to commercial pirates) when we haven't offered an honest market alternative nor educated them. Given information and reasonable alternatives, enforcement will be unnecessary. But there will always be people that want something free and will not turn to legitimate reasonable alternatives. Therefore, I think that enforcement is an important, if third level, element.

Technology "Speed Bumps"

Once honest markets, education, and enforcement are in place, I do not object to the content industry putting technology in their content that helps remind honest consumers to be honest. First, however, it will have little effect if the honest consumer can't be directed to the reasonable alternative. Second, the content industry must sponsor and pay for the technology. Third, technology is not capable of being the first line of defense.

Hackers love hacking as much or more than Dale and many of you love HDTV. Challenging them with "effective" technology is like putting the cookie jar on a higher shelf. You know the kid will climb up and attempt to get the cookies. Thus, all such technology can do is remind the honest consumer that they are about to do something they shouldn't and for which they have a reasonable alternative. But, if the protection technology interferes with legitimate expectations (e.g., prevents you from time shifting a TV program), consumers will revolt and you will push them to illegitimate sources of content.

Conclusion

In the end, I am convinced as I think Dale is that consumers want to do the "right thing." Content owners need to step back, relax, and figure out how to make the new technology work for them. "Locking up" the content never has worked. But reasonable protection has worked when the consumer perceives value in the content.

Jim Burger

***

PROGRAM NOTE

Check your programming times and make sure you note that CSI is 9/8c.

Hi Dale,
you might want to check the time slot for this show.
traditionally it is on at 9pm Eastern after Survivor.

You will notice that you have a 1 hr gap in your CBS listings.

take care,
Peter M.Wilson

***

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CEA Sues FCC Over Tuner Mandate

The Consumer Electronics Association has gone to court to overturn federal rules that gradually require inclusion of digital tuners in nearly all new TV sets.

The CEA fought the mandate as both costly and ineffective while the Federal Communications Commission was debating the issue earlier this year. After the rules were adopted in August, the association promised a court battle, and it took the first step Oct. 11 by filing suit in the U.S. Court of Appeals for the D.C. Circuit. (Full Story)

(Editors note: This was a lively discussion at the CEA Fall Conference. Zenith's John Taylor, a chief advocate for the mandate, and Mitsubishi's Bob Perry, in favor of other alternatives, both expressed themselves to the LA Times there to prepare a story on this turn of events.  Zenith's position is clear--they are beneficiaries for royalties from ATSC 8-VSB tuners, so the more the merrier. Mitsubishi is not in the smaller screen business and so could be negatively impacted by any defocusing on big screen DTV. The view that cable has to settle with CE first is tied into this contest of wills.Taylor's view was that it was unfortunate to see their trade association enter into such a contest as it would give the appearance of being anti transition to DTV  Bob Perry has promised us a piece once he has accomplished his part of the mission to settle the cable-ready TV business issue which is still obstructing the transition.)


Reader Mail

Best comment today on the Tips List

----- HDTV Magazine Tips List -----

I hate to say it but I agree with Charlie Ergen. If you want to view your locals now in HD get an antenna. The reception is better than anything I am getting on Dish with the exception of Discovery HD Theater. I would rather save the limited bandwidth for future programming such as ESPN HD, which can not be picked up via an antenna.

For those that can not pick up their local stations via an antenna, the laws need to be relaxed so that waivers are more easily granted.

I have found that since having my rooftop antenna installed that I am watching less Dish programming which is now making me reconsider carrying the Dish "Everything Package". I think Charlie may want to rethink his logic because he may get what he is wishing for only to find that customers will cut back Dish's services once they find that after the initial investment of antenna installation that the local programming that they are receiving is of a higher quality than that offered by cable or satellite and it is free. Customers after all also have limited bandwidth in their discretionary spending.

Just my opinion.

Dallas Packer Hudson, Ohio

 

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