Summary

Dallas Morning News theater critic Lawson Taitte recounts his family's transition from a 1978 color console to a 38-inch HDTV set, describing the dramatic visual leap as comparable to going from a prop plane to the space shuttle. He highlights HDTV's transformative effect on sports, films, and prestige TV series like The Wire and CSI: Miami.

Source document circa 2004 preserved as-is
Company News
New website finally
done! Please let us
know what you think
on our feedback form located here.

05/23/04

 

Trial Editon
Sign up for your free trial edition to
HDTV Magazine and keep yourself
up to date on HDTV.

Links





Login to HDTV Magazine's members only section.
Login:
Password:
Essay: Falling in love again - with HDTV

By LAWSON TAITTE / The Dallas Morning News

My life has changed. I watch travelogs about Italian festivals and out-of-the-way Texas nature spots. I drool over 30-second advertising spots. I stare at CSI: Miami in fascination, convinced it is one of the most innovative series on television.

I've always been a reasonably early adopter of cutting-edge technology in home entertainment. Where television was concerned, though, my family was way behind the curve. Our previous set dated back to 1978 – a color console whose picture for more than a decade had been fading to white at odd times, bleaching out most of the image for extended periods.

We had sworn that we wouldn't buy a replacement until it became economically feasible to get a high-definition set. We had fallen in love with the medium – watching a nature show, of course – in its earliest days, when a set still cost $7K or more. There was no sense in settling for anything less, we reasoned.

When we were ready to bite the still-sizable bullet and started shopping, we found we much preferred the pictures on the old-fashioned tubes over big-screen projection models or even plasma screens.

The next-to-largest size available looked huge to us – 38 inches, nominally. In fact, it takes two or three strong men to lift the behemoth. It occupies a large space in a small living room. Even in that small room, though, the image is so richly detailed that we wish we had bought one a bit bigger.

The transition between our old set and this one is comparable to the jump between a prop plane and the space shuttle. At first, even the ordinary, non-HD digital programming provoked amazement over its rich color and precise detail.


Only the start

But that was just the beginning. The difference in switching formats between a regular digital channel and its HDTV equivalent – for instance, when both are showing the same commercial – never ceases to surprise us.

On a regular television, the luxury car is tooling around in the ice, sending up a blurry white spray as it cuts a corner. On HDTV, that spray resolves into its component drops and chips of ice. The air glistens. The snow is soft. The automobile's surfaces have a metallic sheen to them. You are in a different world.

That's generally the first reaction to watching HDTV: You're seeing things for the first time – often better than you would see them in real life. Courtside at a basketball game, each spectator becomes a real person, distinguishable from all the rest. You see the blades of grass and the leaves on the trees in the Tuscan countryside.

Such marvels of detail are not always a good thing. One of my daughters observes that she never really wanted to see all the actors' pores and blemishes.

Who knew that those glossy folks had the same dermatological issues as the rest of us?

You adjust happily to all this enriched visual information. A few satellite channels offer movies in HD. The quality is so much better than a DVD that it is hard to pull your eyes away. Films you never thought you would pay any mind to – the puerile A Knight's Tale , for instance – suddenly seem enthralling.

Using the illusion

Some shows seem conceived visually with HDTV in mind. That slightly grainy look of the now-canceled Boomtown looks fabulous in HD. CSI: Miami's saturated palette of blues and greens, alternating with a bit of ochre, is poetry for the eyes. Those HBO series are all shot in HD, of course, and the astounding precision and detail of the visuals on The Wire become a metaphor for the series' moral complexities as you sit there with your mouth open.

That's not to say you won't experience frustrations. HD is such a big boon for sports that it will soon enrage you that so few games are broadcast in the new medium. Even regular digital reception makes it obvious how many programs suffer from shoddy camera work.

The first few months with your new set, you'll get a lot less sleep. Even after a year or more, you'll find that you never tire of your yummy new eye candy.


Dallas Morning News theater critic Lawson Taitte is hoping an affordable home recorder for high definition will hit the market soon.

E-mail [email protected]


 

NEXT UP FROM HDTV MAGAZINE:

The

I LOVE HDTV

A National Campaign

More about it here Monday, May 24, 2004